Performance Research Volume 25 Issue No. 8 December 2020
Dissection of the “new racism,” from one of the greatest radical black intellectuals of our time.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Catalogue published in conjunction with the exhibition by Yongsoon Min ;13 August to 12 September 2004 at the SSamzie Space Galleries. In English and Korean.
Part of the Library of Performing Rights (LPR) (P3041).
From the special issue: Cultural Memory and the Remediation of Narratives of Irishness. In misc folder 7.
Expanding on the ideas of double wound (Caruth) and nostalgia (Aciman), this article discusses Davis' poetic autobiographic performances as examples of the terror and relief of repeating exilic pain.
Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
Video documentation of an interactive sound installation containing the oral histories of 10 ordinary people who have been buried in Syrian gardens.
Exhibiiotn catalogue documenting selected works by the African-American sculptor, environmental artist, and performance artist influenced by and with affinities to Eva Hesse.