An important addition to the current body of scholarly material on contemporary performance and theatre; it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance.
Part of the Library of Performing Rights (P3041).
Dissection of the “new racism,” from one of the greatest radical black intellectuals of our time.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Catalogue published in conjunction with the exhibition by Yongsoon Min ;13 August to 12 September 2004 at the SSamzie Space Galleries. In English and Korean.
Part of the Library of Performing Rights (LPR) (P3041).
From the special issue: Cultural Memory and the Remediation of Narratives of Irishness. In misc folder 7.
Expanding on the ideas of double wound (Caruth) and nostalgia (Aciman), this article discusses Davis' poetic autobiographic performances as examples of the terror and relief of repeating exilic pain.
Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
Video documentation of an interactive sound installation containing the oral histories of 10 ordinary people who have been buried in Syrian gardens.
Exhibiiotn catalogue documenting selected works by the African-American sculptor, environmental artist, and performance artist influenced by and with affinities to Eva Hesse.
Exhibition catalogue documenting artorks by Papo Colo, Jimmie Durham, David Hammons, Hachivi Edgar Heap of Birds, Adrian Piper, Aminah Brenda Lynn Robinson.
Fusco undermines notions of a monolithic Latino identity by examining the role of race in a broad spectrum of Latin American, U.S. and (to a lesser extent) British black and Latino culture and art. This result in a pastiche of autobiographical political essays and art criticism along with transcripts of performance pieces developed in collaboration with performance artist and poet Guillermo Gomez-Peña. These include Andres Serrano, Pepon Osorio, Lorna Simpson, Graciela Iturbide, Lourdes Grobet, Yolanda Andrade, Juan Sanchez, Ana Mendieta, Catalina Parra and the film collectives Black Audio and Sankofa.
This book presents the proceedings of the International Conference on ‘Cultural Diversity in the Arts’ held in Amsterdam on February 9 and 10, 1993.
1 of 2 DVDs (see also REF. D1960). Unedited work in progress version of the round table discussions commissioned by the Live Art Development Agency for Documenting Live a publication and dvd resource that represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks (see REF. P1081 and D1050).
1 of 2 DVDs (see also REF. D1961). Unedited work in progress version of the round table discussions commissioned by the Live Art Development Agency for Documenting Live a publication and dvd resource that represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks (see REF. P1081 and D1050).
A collection of performances created and performed by Alessandra Pauri.
Papers from Artistic and cultural identity in Latin America, a conference convened by Arts International in collaboration with Memorial da América Latina, Sept. 23-25, 1991. In both English and Spanish.
DVD including excerpts from four performances: 14 UnNatural Acts; Mapa Corpo, Temple of Confessions, El Naftazteca: Cyber Aztec TV for 2000 A.D. Includes document with descriptions.
Videos from 2004 and 1996.
Audio CD from Glorious – A Musical in Three Parts.
Europe and the Middle East
uman rights and ethics
A series of crucial practical exercises to help create challenging theatre which transcends the boundaries of nation, gender, and racial identity.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
A double one-woman show: double the woman, double the show. An amalgam of theatre genres and familiar characters; nothing is too outrageous.
Collection of essays, performance texts, and poetry by Guillermo Gomez Pena. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Featuring Suzana Milevska, Ivana Bago, Antonia Majaca, Ivana Bago, Antonia Majaca, Magnus Bärtås Zdenko Bu ek Liljana Gjuzelova Igor Grubi Dejan Habicht/Tanja La eti Kalle Hamm Albert Heta Sasha Huber IRWIN Hristina Ivanoska Sanja Ivekovi Suzana Milevska MONUMENT Group Oliver Musovi Tanja Ostoji /David Rych Dan Perjovschi Lia Perjovschi Tadej Poga ar Georg Schöllhammer Dejan Spasovi Sa o Stanojkovi Mladen Stilinovi , Alexander Vaindorf, Aneta Vangeli
The second in a trilogy of performances addressing the complexities of cultural identity in the 21st century.
This book is a kind donation by Natasha Davis
Booklet charting the first phase of the homonymous project involving artists from China and the UK reflecting upon issues of gender and body. In Chinase and English language.
This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
Artist book. The book plays with stereotypes about Muslims and satirizes their representations, confronting the reader with the tensions of religious an racial identities.
Part of the Library of Performing Rights (LPR) (P3041).
Examines some of the most important performance in Britain from the mid-1980s into the new millennium.
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
The publication documents the interactive performance-based exhibition ‘Temple of Confessions’, a collaboration between Guillermo Gomez Pena and Roberto Sifuentes.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
A performance about power and manipulation in the form of a congress.
A Study Room Guide on eating and dining as explored in performance
Oreet Ashery, Larissa Sansour Ashery, Paul Wolf, Melissa Wolf