Argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. Boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order.
Drawing on elements of psychological suspence inspired by Hitchcock, Breathe treats each participant to an individual experience in which they can be as involved as they dare (Chelsea Theatre, London, 3 May 2008). Part of Sacred Season at the Chelsae Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132).