A typeface narrative revolving around an I, a pair of ravenous eyes, a mouth, and a peptic ulcer called O.
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).
A fantasy in three acts presenting nine narratives from personal to scientific on the experience of desire, shame and identification of the material queer body.
Publication on the group exhibition exploring current international developments in socially engaged art practices. CAA, 28 January – 12 March 2017.
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Four Institute boys, Neal, Gabriel, Sid and James, narrate their first ever protests with the help of their parents Lena Šimić and Gary Anderson and four activists x-Chris, Ritchie Hunter, Mel Evans and Ewa Jasiewicz.
Part game, part improvisation, this unique 24-hour live experience pits alternating pairs of performers against one another as they test their opponents with an avalanche of questions.
Recording on a hard drive.
Recorded 12-13 April 2013 at the Barbican; part of SPILL.
In a safe box.
Unlimited Theatre, Storythings and the Product Design Research Studio, University of Dundee – the team behind UNeditions – share their experiences of what makes co-design work.
Anne Bogart’s collection of essay explore the storytelling impulse and asks how she, as a “product of postmodernism”, can reconnect to the prima act of making meaning and telling stories.
Publication delving into the performance art philosophies of Meredith Monk, Barbara Dilley, Ping Chong, and Spalding Gray as strategies for healing and radical acts
Neil Bartlett co-deviser and performer with Complicite, Rose English, Emma Thompson, Annie Griffin. Albany Empire, London, 1988.Part of the Neil Bartlett Collection. Donated to the British Library and the Live Art Development Agency Study Room from Neil Bartlett’s personal collection.
Excerpt of performance. Director: Shabina Aslam, sound design: Nina Perry, design: Annemarie Woods.
The 110-minute feature is a melding of Jones’ real life experiences with fictional elements delivered to the direction of Australian filmmaker, Amiel Courtin-Wilson.
Debut film of Turner Prize winner Gillian Wearing. Supported by Fly Film Production, Third Films,Channel 4 Britdoc Foundation, the Arts Council of England and Abandon Normal Devices. see also: P1886 Gillian Wearing exhibition catalogue
Video based work written and directed by Jennet Thomas. For more documentation see More Than Local Sky, LADA catalogue reference D1808
A compilation of work made in London 1999-2003. For more documentation see Showreel, LADA catalogue reference D1809
An inventive, participatory and humorous performance that playfully challenges the conventions of theatre, watching and our imagination.
Video document of Deleted Message, a performance by BADco. about emergent phenomena in collective movement – a meshwork of infected individual material and groupings. A strategy of marking of territory and delineating of hierarchical structures of performance through nonlinear dramaturgy and spam storytelling dismiss one possible narrative in favor of a complex system of singularities.
Six short documentary films investigating the ways in which inhabitants of 5 towns across Europe deal with a recent local criminal case. English, some texts in German.
Through her work Devi encourages us to remember that diaspora is more than a c trope, that it is a complex and often contradictory experience which results in joy as well as pain as it is played out on live bodies.
Find article in misc. folder 1.
Stories as told to Marcia Farquhar in preparation for Walking Living Yarn.