Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p46-60
A typeface narrative revolving around an I, a pair of ravenous eyes, a mouth, and a peptic ulcer called O.
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).
A fantasy in three acts presenting nine narratives from personal to scientific on the experience of desire, shame and identification of the material queer body.
Publication on the group exhibition exploring current international developments in socially engaged art practices. CAA, 28 January – 12 March 2017.
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Four Institute boys, Neal, Gabriel, Sid and James, narrate their first ever protests with the help of their parents Lena Šimić and Gary Anderson and four activists x-Chris, Ritchie Hunter, Mel Evans and Ewa Jasiewicz.
Part game, part improvisation, this unique 24-hour live experience pits alternating pairs of performers against one another as they test their opponents with an avalanche of questions.
Recording on a hard drive.
Recorded 12-13 April 2013 at the Barbican; part of SPILL.
In a safe box.
Unlimited Theatre, Storythings and the Product Design Research Studio, University of Dundee – the team behind UNeditions – share their experiences of what makes co-design work.
Anne Bogart’s collection of essay explore the storytelling impulse and asks how she, as a “product of postmodernism”, can reconnect to the prima act of making meaning and telling stories.