Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Addresses the work of women playwrights in Britain throughout the twentieth century.
Interrogates the age-effects generated by early twenty-first century mainstream British theatre. To analyze the complex ways in which age is played out on the British stage–which seem at once both to challenge and to reiterate long-standing assumptions about age–it examines five productions seen in the autumn/winter season of 2011/12.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
In misc folder 7.
A review of In-Yer-Face: British Drama Today by Aleks Sierz
The historical age of empires may be over, but empire, as an idea, continues to exercise a hold over our imaginations. This examination begins with potential definitions and theories of empire, suggesting how we might think of these two notions together and how we might see empire itself as theatre.