Explores our obsession with the lure of distant lands and their promise of the weird and wonderful, the beautiful and grotesque.
Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
What can we do when arms manufacturers sponsor museums and some of the world's most valuable artworks are used as a fictional currency in a global futures market that has nothing to do with the works themselves? Can we distinguish between creativity and the digital white noise that bombards our everyday lives?
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
Programme for the event exploring questions of negotiation, exchange and representation in contemporary collaborative arts practice. (20-23 June 2018, Dublin.)
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization.
Exhibition catalogue. Alternative Space Loop, 16 December 2016 – 12 January 2017.
Explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or “globalization.”
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization. In German; for the English version see P0424.
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Catalogue of the eponymous film and video-based exhibition; Moderna Museet Malmö 21/5/2016-5/3/2017
In Swedish and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?
The historical age of empires may be over, but empire, as an idea, continues to exercise a hold over our imaginations. This examination begins with potential definitions and theories of empire, suggesting how we might think of these two notions together and how we might see empire itself as theatre.
Explores the different ways in which theatre has performed the rural from the medieval to the contemporary, and examines the changing relationships between place, performance and audience when theatre is staged in rural communities.
The book explores what it means to create and experience urban performance – as both an aesthetic and a political practice – in the burgeoning world where cities are built by globalization and neoliberal capital.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
Sheren explores performance art and politics on the US Frontera since 1984. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.
Review of Amelia Jones and Adrian Heathfield’s edited volume “Perform, Repeat, Record: Live Art in History” (2012).
The author analyses several contemporary performances as examples of artistic critique of current ideological canons and power structures governing labour relations in the globalised capitalist production.
In this book, Doreen Massey makes an impassioned argument for revitalising our imagination of space. This item is part of the Study Room Guide to Remoteness (P2600).
Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work. Contributors: Tim Etchells, Rinde Eckert, Richard Foreman, Peter Gabriel, David Greig, Guillermo Gomez-Pena, Phelim McDermott, Peter Sellars
Extract from Soya “Sauce and Ketchup Fight” street performance intervention in Trafalgar Square by Cai Yuan and Jian Jun Xi artistic duo known as “Mad for Real”.
Includes ‘A Conversation between trees’ by Silvia Leay, Active Ingredient.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Part essay, part chronicle, and part performance text about the new “global” culture, its main risks and contradictions, artistic and pop cultural products, major philosophical trends, and political dilemmas.
Part of Palgrave Mcmillan’s ‘small books on theatre and everything else’ series.
This item is referenced in the Making Routes Study Room Guide (P1964).
A documentary of the project by Rimini Protokoll. For further documentation see also REF P1215.
Eric Fong explores issues relating to medicine, the body, and disability, informed by his former profession as a medical doctor and his ethnicity.Recent works have been developed from working with people of diverse ages, abilities and cultural backgrounds.
A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization.
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
History of Singapore-based performance company TheatreWorks