Lecture held as part of MA Live Art at Queen Mary, University of London, 1/10/2018. Audio recording.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
Maps the history of performance and live art up until 2011.
Panel discussion with RoseLee Goldberg, Carlo Lamagna, Rob Storr, Chrissie Iles and Joan Jonas
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)