Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Includes: It’s an Earthquake in My Heart: Reading Companion; The Sea & Poison: Reading Companion; North True South Free; The Lastmaker
Print newsletter from Create Ireland; includes an interview with Sandra Noeth. May 2017.
Existing in the space between imaginative proposition and a call to action, the book is an assemblage of provocations, proposals and potential ways of operating — ranging from navigating the city and inhabiting the margins to errant acts of reading; from preparing for the unexpected to learning how to ‘not know’, from minor acts of singular sedition to collective expressions of an insurgent ‘we’.
This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.
Artists’ events, projects and publications curated, commissioned and produced from December 1979 to the present day. Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
An international survey that brings together 40 of the most influential approaches to art in public.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Portfolio of images of the artistic work accompished by the duo over the last two decades.
Performance Film Installation is a new publication designed to mark five years of solo and collaborative performances, films and installations by Natasha Davis, and coinciding with the London premiere of Internal Terrains at Chelsea Theatre as part of Sacred. A diverse range of authors and artists have generously responded to an invitation to provide insights into various aspects of Natasha's practice.