On Mendieta's late 70s series, in which the artist trekked into the woods and marked the outlines of her body agains the earth.
Asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation.
Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).
Combining intrepid journalism with her own personal experience, Abraham question what it means to be queer in 2019.
Reframes Live Art practice, adopting the handy neologism gen-age, to describe the intersection of gender and age.
Part of the Library of Performing Rights (P3041).
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
A series of contributions to a one-day conference by the Baring Foundation and Cubitt in 2014.
Part of the Library of Performing Rights (P3041).
Recording a series of events held in London and Edinburgh in July and August 2016 celebrating the work of women using walking in their practice.
On three artists taking part in the Trans Time exhibition at Confluences Gallery in Paris: JJ Levine, Kama La Mackerel, and Ianna Book.