A performance by of the UK’s most ‘genuinely terrifying’ artists.
This video was part of LADA Screens, and was available online from 15 – 29 July 2015.
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
Explores the role of philanthropy in public collections across the UK.
Bennett looks at the collaborative processes that intertwine these two cultural practices. She argues that discourses of performance studies can open up new avenues of inquiry about the production and reception of the museum experience and its place in contemporary culture.
Published on the occasion of the exhibition Stuart Brisley: Headwinds, MAC Belfast, 30 January-26 April 2015.
Explores the inspiration of 30 UK modern artists and how their works illuminate the homes and lives of their owners.
A disparate collection of 'chance' materials and objects assembled and curated via post by the participants with the artist Anne Bean. Part of the DIY 11 collaborative project using chance device as a means for intuition and creation. Loose materials in large black folder.
On how performance relates to the global contemporary situation.