A tribute to Tadeusz Kantor.
Zamek Wyobrazni / Castle of Imagination festival programme 1- 3 June 1995.
Drawings, designs and sketches for Kantor's performance 'Let the Artists Die'.
The first volume to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career.
Part of the Library of Performing Rights (LPR) (P3041).
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Documentation from the fourth edition of the performance art festival, held in Herdla, Norway. The artists gathered for a week having the opportunity to work within the environment of the site, before presenting their work on 30th August 2014.
In Norwegian and English.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Tero Nahua has been working in the post-industrial city of Bytom, Poland for short periods since the beginning of 2012. This performance/dialogue is a reflection of the artist’s projections and desires in relation to this work – how life becomes interpreted and structured.
Europe and the Middle East
uman rights and ethics
Obituary/reflection on Jerzy Grotowski who died in January 1999. (see Paul Allain’s obituary of Grotowski in Total Theatre, Vol. 11, No. 1 – A0407)
Publication surveying the process of the 1970s Polish neo-avant-garde.
Fiona McGregor, writer and performance artist, travelled to Poland in 2006 with former art/life partner AñA Wojak touring Arterial, a show based on blood rituals. Halfway between travelogue and memoir, the book documents the passage through economic, political, and personal formations in the interlaced trajectories of art and life, past and present. The artist gets caught up watching and participating in a culture in change, where people are struggling to live well enough under capitalism and where old ideas are expressed in the extraordinary cluster of public museums she found. This item is referenced in the Dreams for an Institution Guide (P2313).
Includes essays on eighty artists from fourteen countries and discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In English and Slovenian. Published for the exhibition at the Museum of Modern Art in Ljubljana.
Part of the Library of Performing Rights (LPR) (P3041).