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Second edition of the artwork exploring the potential of Live Art to bridge generations.
Created to accompany the Solitary Pleasures exhibition at the Freud Museum, London in Spring 2018, this publication is a secret museum, a treasure trove of insightful and delightful drawings, sculptures, photographs, video stills, artefacts, performative gestures, and ephemera – as well as specially commissioned texts – on a subject at the heart of Freudian and post-Freudian sexuality, eroticism, and desire: masturbation.
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
How did performance artists of the ’60s and ’70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the ’80s, ’90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
Endurance was a three-day programme of screenings, performances and exhibition exploring the physical and mental limits of human experience (24 April – 26 June 2008 at VIVID, Birmingham). This forder includes flyers, programme and booklet with programme notes and texts by Tracey Warr, Kay Winwood, Deborah Kermode.
Limited Edition Exhibition Catalogue from the first edition of the VENICE INTERNATIONAL PERFORMANCE ART WEEK Hybrid Body – Poetic Body, which took place in December 2012 at Palazzo Bembo, Italy and showcased the works of over 30 international performance artists. Essays included in the publication by Bojana Kunst, Dana Altman, Andrea Pagnes, Francesco Kiais, Gabriela Alonso, Richard Martel Art, Daniela Beltran.
This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates.
The first detailed insight into artist Mel Brimfield’s practice, in which she works with dancers, musicians, comedians and theatre-makers to explore the boundaries of performance art in the twentieth and twenty-first centuries.