Limited Edition Exhibition Catalogue from the first edition of the VENICE INTERNATIONAL PERFORMANCE ART WEEK Hybrid Body – Poetic Body, which took place in December 2012 at Palazzo Bembo, Italy and showcased the works of over 30 international performance artists. Essays included in the publication by Bojana Kunst, Dana Altman, Andrea Pagnes, Francesco Kiais, Gabriela Alonso, Richard Martel Art, Daniela Beltran.
| Editor | Andrea Pagnes and Verena Stenke |
|---|---|
| Publisher | Grafiche Veneziane |
| Reference | P2668 |
| Date | 2012 |
| Type | Publication |
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.
Catalogue to the festival from 26.06.01-01.07.12 in llsede, Hildesheim, Bad Salzdetfurth, Germany.
Kindly donated for the Swiss Live Art Study Room Guide.
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Documentation from the performance art conference, 9-16 July 2017. In German and English,
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
On the Future of Imagination (FOI) Festival 9, Singapore, September 4–7, 2014.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Exhibition catalogue. 12/11 – 4/12 1987. In German.
Zamek Wyobrazni / Castle of Imagination festival programme 1- 3 June 1995.
Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)