Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.

Found in miscellaneous article folder #6
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents–including texts by and taped discussions among and with the artists involved.

This zine is the result of a collaboration between photographer Robin Black and visual artist Heather Cassils. Formatted as a fine art periodical, the zine features powerful pin-ups for a shifting cultural landscape.

From 1972-1991, Eleanor Antin created multiple personae of different genders, races, professions, historical contexts and geographical locations. This book, issued in conjunction with a 2013 exhibition at the Miriam and Ira D. Wallach Art Gallery, explores these works

A detailed study of the role women artists played in the develpment and expansion of performance art

This collection features all 51 images from performance artist Eleanor Antin's epic visual narrative. Introduction by Henry Sayre

Adrian Piper, Eleanor Antin, Anna Deavere Smith and Nikki S Lee have all crossed racial, ethnic, gender and class boundaries in works they have concieved and performed. Cherise Smith analyses their engagements with issues of identity through close readings of perfromances by each artist.

Critical exploration of feminist art investigating femininity as a relationship to time

Programme listing 11 days of performances and public works. 19-29 January 2012