Reframes Live Art practice, adopting the handy neologism gen-age, to describe the intersection of gender and age.
Part of the Library of Performing Rights (P3041).
A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocio Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)
A collection of written and visual responses to the works of British artist, Qasim Riza Shaheen. Essays, reflections and conversations, by eminent scholars, curators, artists and collaborators, consider the multiple aspects and the experience of his works.
In English and Urdu.
Exhibition / project programme. Tempting Failure, 17-21 July 2018.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
A small selection of study room material on the subject of documention.
Limited Edition Exhibition Catalogue from the first edition of the VENICE INTERNATIONAL PERFORMANCE ART WEEK Hybrid Body – Poetic Body, which took place in December 2012 at Palazzo Bembo, Italy and showcased the works of over 30 international performance artists. Essays included in the publication by Bojana Kunst, Dana Altman, Andrea Pagnes, Francesco Kiais, Gabriela Alonso, Richard Martel Art, Daniela Beltran.
Study Boxes contain hand picked selections of DVDs, books and other materials from the LADA Study Room around specific themes. Installed in Festival hubs and other locations, and curated in dialogue with partners, each Study Box can hold between four to ten items and can be used by audiences for a quick browse or a day-long study. After the events the Boxes are returned to the Study Room and listed in this Guide so that users can explore these themes and materials during their visit to the LADA Study Room.
Series of photographs documenting some of the works of German-born, London-based performance artist Ernst Fischer: Brixton Heart Room (in collaboration with Franko B); The Book of Dust (in collaboration with Manuel Vason); The Art of (Self-)Service; Remains of the Day. Includes a list of images with titles.
BELLYFLOP magazine has developed as a collaborative artist-led undertaking based at Chisenhale Dance Space. It revolves primarily around the art of contemporary dance but also includes many other forms of performance. This issue contains images by Manuel Vason (pp. 32-35) and an article in Fresh AiR 2011 at Queen Mary, University of London (pp. 46-48).
Festival documentation. 2nd-21st March 2010
Held in Misc Article Folder 2
From the Collecting Live Art Symposium, Saturday 26 January 2008.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Find in misc. articles folder 2. Photocopied from publication Live Art On Camera: Performance and Photography, ed. Alice Maude-Roxby (John Hansard Gallery, 2007), pp. 51-54.
Find in misc. articles folder 2
POINT is a pocket size publication published twice a year including full details of Performance Space seasonal programme, Performance Space, Sydney, Australia. Live Live season October – November 2010. 2 copies archived.
Photography by Manuel Vason. Documenting some of the work of Franko B. Includes his collage work, an interview with Gray Watson, and a text by Sarah Wilson.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on One to One Performance by Rachel Zerihan (P1320) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
PLEASE NOTE: Accompanying dvd D1255
Presented in a specially designed box and cellophane wrapped. Shelved in Oversize publications section.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Showcases the work of photographers who documented a selection of seminal performances from the 1950s to the present in Europe, the United States and Japan and exhibits contemporaneous examples of their practice alongside their performance photographs.