Catalogue > By Keyword > national identity

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I’m Roger Casement

Artist/Author: Fearghus Ó Conchúir, Dearbhla Walsh | Digital Reference: EF5344 | Type: Digital File

Film created as part of The Casement Project, a multi-disciplinary project about Roger Casement, a British knight, Irish rebel and international humanitarian.

Part of the Library of Performing Rights (P3041).

Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015

Artist/Author: Sarah French | Reference: P3916 | ISBN: 978-1137465429 | Type: Publication

Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.

Part of Library of Performing Rights (P3041)

The White Possessive: Property, Power, and Indigenous Sovereignty

Artist/Author: Aileen Moreton-Robinson | Reference: P3793 | ISBN: 978-0816692163 | Type: Publication

Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.

You are here…but where am I? documentation

Artist/Author: Stacy Makishi | Reference: P3318 | Type: Publication

Passports created during the intimate one to one intervention that happens in the (terror)tory between here and there, within the border of Passport Control.

Part of the Library of Performing Rights (LPR) (P3041).

Performative monuments: The rematerialisation of public art

Artist/Author: Mechtild Widrich | Reference: P3138 | ISBN: 978-0719095917 | Type: Publication

How did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Assemblage: An Art Series on Identity, Memory, and Displacement

Editor: Nisha Sajnani | Reference: A0709 | Type: Article

Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.

In misc folder 7.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Visita al archivo de ExTeresa Arte Actual:  I ♥ Mexican women performance artists

Artist/Author: Mónica Mayer | Digital Reference: EF5147 | Type: Digital File

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

In Pursuit of Pleasure

Artist/Author: Helena Walsh | Reference: D2181 | Type: DVD

Documentation of durational performance considerng acts of political whitewashing. Performed as part of LABOUR (2012): a touring exhibition of Live Art, featuring eleven leading female artists who are resident within, or native to, Northern and Southern Ireland.

Dorothy Cross and the Art of Dispossession

Artist/Author: Robin Lydenberg, Dorothy Cross | Reference: A0450 | Type: Article

See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.

Theatre and Nation

Artist/Author: Nadine Holdsworth | Editor: Jen Harvie and Dan Rebellato | Reference: P1535 | ISBN: 9780230218710 | Type: Publication

Part of Palgrave Mcmillan’s ‘small books on theatre and everything else’ series.

New Phenomena in Polish Art after 2000

Artist/Author: various | Editor: Grzegorz Borkowski, Adam Mazur, Monika Branicka | Reference: P1490 | ISBN: 83-85142-74-6 | Type: Publication