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Artist / Author | XL Gallery |
---|---|
Publisher | XL Gallery |
Reference | P0957 |
Date | 2005 |
Type | Publication |
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Since 2007, Antennae: The Journal of Nature in Visual Culture has been the international reference point of the non-human turn in the visual arts. This volume gathers the richest interviews and the most thought-provoking essays featured over its forty installments thus far published.
Provides a historical overview of feminist strands among the modern revolutionary movements of Russia, China and the Third World.
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
The result of five years of practice-based creative research focused on the UPRISING project, the book presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide.
Part of the Library of Performing Rights (LPR) (P3041).
Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.
Exhibition catalogue; Saatchi Gallery, 16 November – 31 December 2017.
Part of the Library of Performing Rights (LPR) (P3041).
Includes interviews, dialogues and critical writing on art and politics. In French.
Part of the Library of Performing Rights (LPR) (P3041).
From the activist, Pussy Riot member and freedom fighter, a raw, hallucinatory, passionate account of her arrest, trial and imprisonment in a penal colony in the Urals for standing up for what she believed in.
An Investigation into the political efficacy of Pussy Riot’s art.
Immediately after Nadezda Tolokonnikova and Maria Alekhina were released, Verwelius contacted the two, setting into motion an extraordinary photo shoot: using the activists’ stories and sketches of the prison camp, he depicted their living and working conditions there as an impressive picture series. In English and Dutch.
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).