An important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.
Part of Library of Performing Rights (P3041).
Provides a survey of the work of Christo and his wife, Jeanne-Claude, who specialize in creating art on a monumental scale.
Provides a historical overview of feminist strands among the modern revolutionary movements of Russia, China and the Third World.
Founding member of Sonic Youth and role model for a generation of women, tells her story.
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Published as part of the eponymous exhibition at the Barbican 14 July – 4 September. Surveys the Icelandic artist's practice from his student work to today.
This item can be found in the locked glass cabinet.
A reading of Curtis' wedding performances and his persona.
Stills from the performance, which comprised of over 300 images and took place in 2 parts; part one is performed in a photography studio, with the photographer the only spectator.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
This is the first anthology to bring together artist’s writings and conversations about queer practice, describing and examining the ways in which they have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action and as a basis from which to declare inassimilable difference.
Takes the khusra communities of Lahore, the artist, his mother and the spectators into a space where gender is negotiable.
Published on the occasion of the exhibition Nine Acts of Reciprocity at Gallery Oldham, 15 May-11 July 2010, co-commissioned by Queer Up North