Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
A collection of some of the essays and lectures that have made Cage's name synonymous with all that is unpredictable and exciting in contemporary music.
50th Anniversary Edition edition.
Rodenbeck offers a rigorous art historical reading of Kaprow's project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art's participatory strategies.
Explosion! Painting as Action encompasses an array of approaches to looking at the borderland between painting and performance, covering a whole range of playful experiments to aggressive risk-taking. Published on the occasion of the exhibition of the same name at Moderna Museet, Stockholm, in 2012.
Documents of Contemporary Art series.
Memoir by the avant-garde dancer, choreographer, and filmmaker recounting her childhood years, sexual misadventures, and artistic explorations.
Investigations of failure as a key concern—as theme, strategy, and world view—of recent art.