Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
An anthology of artists writings from the Nordic and Baltic region gathering together writings by the artists themselves.
This collection of essays surveys the performance and promise of contemporary global artist-run centres and initiatives within the historical contexts that saw their emergence.
Article about disability arts.
Discusses contemporary art and the relations between art, politics and society. Their dialogue ranges widely from censorship and obscenity to the social conditions of artistic creativity, and focusses on the central themes in the work of both authors.
Platform Study Room Guide (P1820). This item is referenced in the Dreams for an Institution Guide (P2313).
A two-month investigation into carbon, climate, capital and culture. Based on PLATFORM’s 25 years of research, art and action, C Words cross-examines the present and looks to the next two decades. How did we get here? Where are we going? Who’s deciding? Who’s made invisible? Whose future matters? Developed during a residence at Arnolfini.
Part of “Sacred”, a season of contemporary performance at the Chelsea Theatre, London, 21 October – 22 November 2009. In collaboration with brut, Vienna. No. 9 of 26. For the complete series see REF. D1396-D1421.