Theatre Criticism: Changing Landscapes

Notes

Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.

Editor Duska Radosavljevic
Publisher Bloomsbury Methuen Drama
ISBN 978-1472577092
Reference P3533
Date 2016
Type Publication

Keywords

Similar items

Training Artists in Times of Crisis

Artist/Author: Laura Bissel, Gary Gardiner, Sarah Hopfinger, Rachel O'Neill | Editor: felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0917 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg42-50

 

Decolonising Performance Pedagogy - A position paper from Bangalore, South India

Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire

Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

Unframing Photography : Performing the Image to See Otherwise

Artist/Author: Manuel Vason | Editor: Alessandro Simari | Reference: P4211 | ISBN: 978-1-8380229-9-0 | Type: Publication

Unframing Photography: Performing the Image to See Otherwise is a new book by transdisciplinary artist Manuel Vason, and his third publication with LADA after the ground-breaking Exposures (2002) and Double Exposures (2014).

Entanglements of Two : A Series of Duets

Artist/Author: David Berman, Theresa Brayshaw, Season Butler, J.R. Carpenter, Karen Christopher, Sophie Grodin, Erini Kartsaki, Joe Kelleher, Orit Kent, Andrea Milde, Mary Paterson, Rajni Shah, Litó Walkey, David Williams, Jemima Yong, | Editor: Karen Christopher and Mary Paterson | Reference: P4207 | ISBN: 978-1-78938-504-5 | Type: Publication

This book explores the practical, philosophical and aesthetic implications of performers working in pairs. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. The book presents an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair.

Strategies of Success : Curator Series 2002-2003

Artist/Author: Tanja Ostojić | Reference: P4204 | ISBN: 2-910164-32-2 | Type: Publication

Book in English with translations to Serbian and French language
With essays by Dr Marina Grzinic, Dr Suzana Milevska and Tanja Ostojić

Experiments in Listening

Artist/Author: Rajni Shah | Reference: P4203 | ISBN: 9781538144299 | Type: Publication

Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’.

Field Notes II: Summer School on Cultural Diversity and Collaborative Practice

Editor: Keelin Murray, Ailbhe Murphy, Áine O’Brien, Áine Crowley | Reference: P4200 | ISBN: 978-1-869895-14-3 | Type: Publication

Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.

Fauxthentication: Art Academia and Authorship (or the site-specifics of the Academic Artist)

Artist/Author: Bogdan Szyber | Reference: P4198 | ISBN: 978-91-88407-18-4 | Type: Publication

Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.

Field Notes: Two Destination Language

Editor: Alister Lownie | Reference: P4191 | ISBN: 978-1-8381515-0-8 | Type: Publication

In June 2020, a group of 23 creative practitioners came together in virtual spaces to think, talk, listen and dream, learning from each other and through the act of dialogue. These writings reflect some of their thinking, on where we are now and some of the paths forward. FIELD notes is a call for change with care and transparency at its core.

Paper leaves and other constructions

Editor: Karen Christopher, Tara Fatehi Irani | Reference: P4180 | Type: Publication

Paper leaves and other constructions
a reading companion to Always Already
compiled and edited by Karen Christopher & Tara Fatehi Irani

Always Already is an 8-hour performance installation by Karen Christopher & Tara Fatehi Irani, which uses materials, text, sound and movement to explore the weaving together of plant, human and machine, including human/plant and human/machine hybrids.

Paper leaves and other constructions is a 32-page booklet, introducing the themes and content of the project, and responding to many of the questions that arose in the creative process. Drawing parallels between a path through life and one through the making of a particular work of performance, the booklet answers the question “how did you do that?”

The booklet includes contributions from Karen, Tara, Payman Kassaei (Professor of Mathematics, Kings College), Felipe Ribeiro (performance artist and researcher), Omikemi (poet), Eirini Kartsaki (performance writer and teacher), and an interview with Henry Dagg (sound sculptor and builder of experimental musical instruments).