Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Draws on the theory and practice of the black radical tradition to support, inspire and extend contemporary social and political thought and aesthetic critique.
Five year strategy by Create, Ireland for 2020-2025
Do you have to think that prostitution is good to support sex worker rights? How do sex worker rights fit with feminist and anti-capitalist politics? Is criminalising clients progressive – and can the police deliver justice?
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
A series of contributions to a one-day conference by the Baring Foundation and Cubitt in 2014.
Part of the Library of Performing Rights (P3041).
Publication on the annual conference about socially engaged art organised by Heart of Glass in St Helens. Participants were invited to collectively source local ingredients and create, serve and eat a meal.
Reflects on CAPP (Collaborative Arts Partnership Programme), which took place 2015-2018.
Two articles discussing funding patterns in early 80’s
Sets out to protect the present and the future of life in Britain from their most dangerous enemy: a creeping takeover by the past. While the real economy crumbles, a new force is taking over: the Heritage Industry, a movement dedicated to turning the British Isles into one vast open-air museum.
Papers from the conference, held in Glasgow in December 1990. The conference addressed the implications for the arts of the political and economic changes in Eastern Europe.
Part of Culture Change Guide: How to find and grow diverse talent
A Culture Change Guide.
A Culture Change Guide.
A Culture Change Guide.
A Culture Change Guide.
A Culture Change Guide.
Part of Culture Change Guide: How to find and grow diverse talent.
Part of Culture Change Guide: How to find and grow diverse talent.
Part of Culture Change Guide: How to find and grow diverse talent.
Part of Culture Change Guide: How to find and grow diverse talent.
Part of Culture Change Guide: How to find and grow diverse talent.
Part of Culture Change Guide: How to find and grow diverse talent
Part of Culture Change Guide: How to find and grow diverse talent.
Case studies, workshops and surveys analyse the barriers and opportunities arts organisations face in playing a civic role.
Part project part catalogue: split into three distinct sections the book brings together artists and academics to explore the impact of gentrification and the possibility of resistance.
Outlins the performance map in Mexico, calling on artistsfrom various regions of the country to investigate and trace the history of this artistic expression.
In Spanish.
Authors offer ways to fight today’s pervasive digital surveillance — the collection of our data by governments, corporations, advertisers, and hackers. To the toolkit of privacy protecting techniques and projects, they propose adding obfuscation: the deliberate use of ambiguous, confusing, or misleading information to interfere with surveillance and data collection projects.
Explores the issue of borders and border crossing in the era of globalization and transnationalism, analyzing how the nation-state system regulates movements of people.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Short and long trailer for Performing Rights, a festival of creative dialogues between artists, academics, activists, and audiences investigating relationships between human rights and performance.
Speaking of Ireland Making England the Legal Destination for Abortion is a London-based, direct-action feminist performance group, challenging the restrictions placed on abortion services in Northern Ireland and the Republic of Ireland and campaigning for access to safe, legal and free abortion services globally. Contains FAQ about the group, and a list of talks, events, exhibitions, activities, actions, and articles.
In Misc folder 5B.
Shiro Masuyama and Sinéad O'Donnell drive from Tokyo to Fukushima tracking the level of radiation. The hot spots are in and around regular places; highways, playgrounds and some as far out as a UFO museum.
2:34
Documentation from the LAUK Gathering, at Watershed, Bristol on 12 February 2015. The Gathering considered the idea of the Storm as a metaphor for change.
This report brings together the findings of a series of public and private meetings with artists, creative and cultural professionals, economists, business leaders and other stakeholders, backed up by targeted research.
On the historical role of cultural institutions in Croatia.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Final Report of the Panel on Fair Access to the Professions. This article can be found in the Miscellaneous Articles 3 Binder.
Notes towards a better understanding of the value, operation and potential of small visual arts organisations.
Arts sponsorship in Europe against the background of developments in America. Ethics. Policy.
Part of the Platform Study Room Guide (P1820)
Ai Weiwei, edited and translated by Lee Ambrozy, Ai Weiwei’s Blog, 2006-2009. This book offers a collection of Ai’s online writings translated into English – the most complete, public documentation of the original Chinese blog available in any language.
This item is referenced in the Dreams for an Institution Guide (P2313).
New Statesman Arts Lecture 2000, Banqueting House, Whitehall, 27 June 2000.
On arts and public value.
A consultation document proposed and developed by the Cultural Strategy Group for London, for Ken Livingstone.
Double-face spiral-binded book. English and Welsh. The publication also features a CD-ROM, see Ref. D1126. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)