Festival / exhibition catalogue. 6-18 October 2017.

In Croatian and English.

Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.

Part of the Library of Performing Rights (LPR) (P3041).

What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?

Publication on the TWRG which explored structure in and around participation – be it a group, time or space. Three parallel walks, all based on the same texts, took place in three cities: Bilbao, London and Bolzano.

In English, Spanish, Italian and German.

Publication documenting the work of the WRG in 2013 and 2014.

Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.

The exhibition explores the limits of science where the absence of established facts may leave room for new theories, alternative science, and conspiracy theories.
Fact Liverpool, 10/11-5/02 2016.

This article considers a constellation of works the artist Kira O’Reilly has created in residencies in biology laboratories over the past several years.

A a set of reflections and annotations on the eponomous performance and exhibition project by preeminent British sculptor, Bruce McLean.

This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.