Catalogue > By Keyword > identity
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No Future: Queer Theory and the Death Drive
Argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. Boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order.
On Otherness
Short programme of the project which saw 2DL invite other artists into a conversation on identity.
A View From Elsewhere
A fantasy in three acts presenting nine narratives from personal to scientific on the experience of desire, shame and identification of the material queer body.
Women, the arts and globalization
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Thought in the Act
Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking.
Theatres of Learning Disability: Good, Bad, or Plain Ugly?
The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.
Part of the Library of Performing Rights (LPR) (P3041).
Eleanor Antin: Real Time Streaming catalogue
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
The Cambridge Companion to Modern British Women Playwrights
Addresses the work of women playwrights in Britain throughout the twentieth century.
Critical Vehicles: Writings, Projects, Interviews
A collection of Wodiczko's writings on his projects.
Part of the Library of Performing Rights (LPR) (P3041).
From Acting to Performance: Essays in Modernism
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
