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Catalogue > By Keyword > agency

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Performing Communities: Grassroots Ensemble Theaters Deeply Rooted in Eight U.S. Communities

Editor: Robert H. Leonard | Reference: P3295 | ISBN: 978-0976605447 | Type: Publication

Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.

Part of the Library of Performing Rights (LPR) (P3041).

Wir sind überall: weltweit. unwiderstehlich. antikapitalistisch

Editor: Notes from Nowhere | Reference: P3298 | ISBN: 978-3894015367 | Type: Publication

A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization. In German; for the English version see P0424.

This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).

The New Rules of Public Art

Artist/Author: Situations | Reference: P3287 | Type: Publication

Published to coincide with the launch of Public Art Now, a programme of events and discussions which explore new forms and approaches to public art.

Part of the Library of Performing Rights (LPR).

 

TRANSACTIONS #2

Editor: Fiona Whelan, Ailbhe Murphy, Helen Carey | Reference: P3250 | Type: Publication

Drawing threads from the meta to the micro level inevitably leads to a conversation about power – who has it, who doesn’t, who should have it, how it is adjudicated. TransActions #2 picks up on this context and sets out to pose questions for the field of socially-engaged art and education practice in 2017.

Performative monuments: The rematerialisation of public art

Artist/Author: Mechtild Widrich | Reference: P3138 | ISBN: 978-0719095917 | Type: Publication

How did performance artists of the ’60s and ’70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the ’80s, ’90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.

Part of the Study Room Guide on Live Art and Displacement (P3107).

‘Illegal’ Traveller: An Auto-Ethnography of Borders

Artist/Author: Shahram Khosravi | Reference: P3126 | ISBN: 978-0230336742 | Type: Publication

Explores the issue of borders and border crossing in the era of globalization and transnationalism, analyzing how the nation-state system regulates movements of people.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation

Artist/Author: Adam Alston | Reference: P3101 | ISBN: 978-1137480439 | Type: Publication

Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?

Performing Motherhood: Artistic, Activist, and Everyday Enactments

Editor: Amber E. Kinser, Kryn Freehling-Burton, Terri Hawkes | Reference: P3033 | ISBN: 978-1927335925 | Type: Publication

Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

Performance and the City

Editor: Kim Solga, Shelley Orr, D. J. Hopkins | Reference: P2954 | ISBN: 978-0230300491 | Type: Publication

Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.

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