Catalogue > By Keyword > agency
51 results | Page 3 of 5
Performing Communities: Grassroots Ensemble Theaters Deeply Rooted in Eight U.S. Communities
Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.
Part of the Library of Performing Rights (LPR) (P3041).
Wir sind überall: weltweit. unwiderstehlich. antikapitalistisch
A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization. In German; for the English version see P0424.
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
The New Rules of Public Art
Published to coincide with the launch of Public Art Now, a programme of events and discussions which explore new forms and approaches to public art.
Part of the Library of Performing Rights (LPR).
4 Radnor Terrace: A Woman’s Place
Publication accompanying the exhibition 56 Artillery Lane, Raven Row, 21 April-11 June 2017.
TRANSACTIONS #2
Drawing threads from the meta to the micro level inevitably leads to a conversation about power – who has it, who doesn’t, who should have it, how it is adjudicated. TransActions #2 picks up on this context and sets out to pose questions for the field of socially-engaged art and education practice in 2017.
Ageing in Public: Creative Practice in Ageing and the Public Realm from across the UK
Publication about the Public Wisdom programme: exploring ageing, creativity and the public realm.
Part of the Know How: The Study Room Guide on Live Art Live Art practices and methodologies in relation to working with older individuals and communities. (P3140)
Performative monuments: The rematerialisation of public art
How did performance artists of the ’60s and ’70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the ’80s, ’90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.
Part of the Study Room Guide on Live Art and Displacement (P3107).
‘Illegal’ Traveller: An Auto-Ethnography of Borders
Explores the issue of borders and border crossing in the era of globalization and transnationalism, analyzing how the nation-state system regulates movements of people.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Interactive Contemporary Art: Participation in Practice
This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.
Performing Motherhood: Artistic, Activist, and Everyday Enactments
Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Performance and the City
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
