Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
The culmination of a year-long project at BalinHouseProjects (BHP), an artist-run, not-for-profit space by Eduardo Padilha at his flat in Tabard Gardens North Estate.
Part of Library of Performing Rights (P3041).
A free survival guide for queer and trans* young people; by Scottee, Travis Alabanza, Selina Thompson and Emma Frankland.
Dissects the network of household, kinship and sexual relations that constitute the family form in advanced capitalist societies to show how they reinforce conditions of inequality.
A collection of written and visual responses to the works of British artist, Qasim Riza Shaheen. Essays, reflections and conversations, by eminent scholars, curators, artists and collaborators, consider the multiple aspects and the experience of his works.
In English and Urdu.
The story of a housewife who delves into the underworld of domesticity.
An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS.
Documents the crisis in American urban housing policies and portrays how artists have fought against government neglect, shortsighted housing policies and unfettered real estate speculation.
Part of the Library of Performing Rights (LPR) (P3041).
Playing cards made as part of Speaker's Corner.
Explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.
Publication accompanying the exhibition 56 Artillery Lane, Raven Row, 21 April-11 June 2017.
Examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
This video for camera was made at home with the artist's one year old son: he is invited, or given reason, to interact with household, domestic, materials – in isolation and removed from some context.
12 minutes.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Drawing on the popular entertainment form 'An Audience with …', Howells creates a performance in which an audience of around 25 is invited to share memories and experiences with his alter ego.
Blurred recording. 2006.
2 hours 36 minutes.
*currently unavailable*
This collection of essays explores contemporary manifestations of extraterritoriality and the diverse ways in which the concept has been put to use in various disciplines.
This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5192.
Drawing on the popular entertainment form 'An Audience with …', Howells creates a performance in which an audience of around 25 is invited to share memories and experiences with his alter ego.
Blurred recording. 2006.
2 hours 36 minutes.
The book explores Weaver's collaborative work with Split Britches and Spiderwoman as well as her solo projects, performance interventions, and work as a facilitator, teacher, and as Tammy WhyNot.
Writing and documentation from a performance in London March 2015 with photos by Manuel Vason. Miscellaneous folder #5A
Documentation of the first five years (2008 – 2012) of The Institute for the Art and Practice of Dissent at Home.
A project made with residents of Soho.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Programme notes:Suspended in the space between two worlds, can one of them ever become home? How do memories preserve identity? Does dust ever settle on the past? Does grass grow over it? Natasha Davis’ third solo show completes her trilogy on body, identity and migration. Her poetic journey evokes migratory bodies burdened with past memories, present fears and future anxieties.Created in collaboration with Martin Langthorne and Bob Karper and with generous mentorship from Ju Row Farr and Dominic Johnson.Preceded by a short performance by an early career artist on the bar stage. Post show Q&A free to ticket holders.
A book on the the Boundary Estate’s historic garden and bandstand.
Review of the women’s only performance ‘Home: The Last Place I ran to Just About Killed Me’, by Highways Sacred Naked Nature Girls, at Highways, Santa Monica.
A Performance Documentation of Raumlabor’s Duismulsen U(topie) 18
A series of 73 photographs identifying the emotional context created in the home of the artist’s family.
Video documentation of NRLA (National Review of Live Art) 2008.
An audio-visual installation in a car. Video documentation of NRLA (National Review of Live Art) 2008; 6-10 Feb 2008.
Launching her unique new Therapy Empire, Baker offers a set of life-changing techniques in a show guaranteed to effect results in ordered and disordered minds alike.
DVD by Deborah May. This item is part of the Study Room Guide On Disability and New Artistic Models by Rachel Aaron Williamson (P1529)
Part of the Library of Performing Rights (LPR).
Instructions for making art.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
Originally filmed as part of the Expanding Pictures series XXXmissing. Part of Access All Areas Screening Programme. Also available with subtitles as EV0523SUB.