Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
Interview with Jeremy Newton, director of the Lottery.
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
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The Unlimited festival at the Southbank Centre was the largest ever festival in the UK celebrating disabled and Deaf artists, breaking new ground both for the venue and the artists.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.