Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
Interview with Jeremy Newton, director of the Lottery.
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
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The Unlimited festival at the Southbank Centre was the largest ever festival in the UK celebrating disabled and Deaf artists, breaking new ground both for the venue and the artists.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
A set of essays on Live Art exploring the learning possibilities and partnership opportunities for artists and schools.
Values and Vision: The ggContribution of Culture, a report on the cultural sector in Britain over the last 10 years
A lecture by the chief executive of Arts Council England; 12th July 2006
On arts and public value.
Articles and discussions around cultural diversity and arts in the UK.
Includes a number of UK event case studies and DIY checklist.
*currently unavailable*
A year long collaboration between the artists supported by British Council’s Creative Collaboration programme and Arts Council England, March 09 – March 10.
An inspiring portrait of women MCs, DJs, producers and performers involved in Urban music, all of whom use the prefix Lady. Bristol, 26-29 November 2008.
Commissioned by Arts Council England and the Jerwood Charitable Foundation to celebrate and explore the role of the producer in the arts.
ACE documentation from The Sultan’s Elephant.
During the nineties inter-disciplinary collaborative practice emerged as one of the most significant art form developments of the decade, yet it received negligible critical attention.
Summary of the LADA programme in which artists working in Live Art conceive and run professional development projects for other artists.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.