All appointment negatives and notes from the first year of the Vorticist project (Oct 2007 – Dec 2008) printed in a cloth bound and embossed book.
Signed and numbered edition of 100 (77/100).
One to One performance that takes place in a public café and explores surveillance and profiling in “the war on terror.” The eight minute video includes an interview with the artist.
Passports created during the intimate one to one intervention that happens in the (terror)tory between here and there, within the border of Passport Control.
Part of the Library of Performing Rights (LPR) (P3041).
Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.
Publication documenting the work of the WRG in 2013 and 2014.
The two live artists engage in a playful, theatre-inspired dialogue (complete with stage directions) in which they discuss their complicated relationships, working within theatre institutions.
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Dries Verhoeven proposes a one-to-one experimental spectacle in which the spectator plays the main character and are plunged into a new reality (Chelsea Theatre, London, 4 May 2008). Part of Sacred Season at the Chelsae Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132). This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)