Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Interview with Jeremy Newton, director of the Lottery.
De Marigny talks to Fiona Dick (Dance Umbrella Administrator) and Mark Harris, about the festival's audience survey.
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Pandering to the real or imagined demands of private finance distorts the art world, silencing dissent and stifling politically or socially engaged art in favour of consensus and what is known in the trade as ‘investment grade art’.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Commissioned by Arts Council England and the Jerwood Charitable Foundation to celebrate and explore the role of the producer in the arts.
ACE documentation from The Sultan’s Elephant.