Exhibition programme. The LAB Gallery, Dublin, 18 June – 19 August 2018.
Documentation (Power Point) from the DIY 13 project exploring notions of tripping and tipping points through the lens of the architect-walker.
Published to accompany a major exhibition at Tate Britain, this fully illustrated catalogue explores the history of attacks on art in Britain, from the reformation of the sixteenth century to the present day, demonstrating how religious, political, moral and aesthetic controversy can become arenas for assaults on art.
Drawing threads from the meta to the micro level inevitably leads to a conversation about power – who has it, who doesn’t, who should have it, how it is adjudicated. TransActions #2 picks up on this context and sets out to pose questions for the field of socially-engaged art and education practice in 2017.
Programme for a 12-hour live art and video event at Kilmainham Gaol, responding to the iconic historical associations with the 1916 Rising. Curated by Niamh Murphy and Áine Phillips.
Documentation from a live exhibition featuring eleven leading female artists from the island of Ireland, offering unprecedented access to a huge body of live performance work by some of the most radical and exciting women artists emerging from the Irish cultural context.
Curated by Chrissie Cadman, Amanda Coogan and Helena Walsh
12:53
A show about shape-shifting, sensuality and self-regard, first performed at the RVT in August 2010
Documenting exhibitions at the LAB Gallery.
Sinead O’Donnell and Lisa Marie Johnson: “Performance Lecture” 2010. In conjunction with ‘Exile from Presence’ w/ John Zerzan. National College of Art and Design. Dublin, Ireland.