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Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Examines fandom as a set of practices for approaching and writing about art.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
A comprehensive study of queer identities and communities across Asia, re-envisioning the queer through Asian perspectives.
Part of Library of Performing Rights (P3041).
Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard.
The first anthology to chronicle the global critical reception of Aboriginal Art since the early 1980s, when the art world began to understand it as contemporary art.
Part of Library of Performing Rights (P3041)
Follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism.
Documents an international artistic research project initiated by Norwegian Theatre Academy/Østfold University College.
Publication charting the artistic practice of Jian Jun Xi.
Part of the Library of Performing Rights (P3041).
25 intriguing ideas for different ways to walk in and beyond an art gallery – for gallery-goers, walkers, performance artists, students and academics.
Based on the results of an anonymous survey sent to more than 8,000 galleries in the US, UK, and Germany, this is an insightful examination of the business of selling art.