The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
Complete archive of Tsitsopoulos' “Is Art Lonely?” project, including artist CV; video of performance at LADA; curatorial texts; drawings; Is Art Lonely? (video), video and photo documentation.
In glass cabinet.
The most provocative voices of the Digital Age grapple with the direction of digital technology and its concomitant issues, including virtual identities and their relationship to the physical self, the collision of commercial and community interests on the Net, the Net threat to intellectual property, and the merger of art, popular culture, and commerce in interactive media.
Illustrated catalogue published in occasion of the homonymous retrospective commemorating Gysin’s unconventional, seminal work and holisitc experiments.
Exploration of technology’s influence on artistic performance practices in the twentieth and twenty-first centuries.
Myriorama explores position- and motion-tracking at widely different scales: across the city, and inside venues. The widespread availability of accurate position data has triggered a wave of media art and activist works focused on novel cartography; many of these are processed-based or involve public participation.
Published on the occasion of the eponymous exhibition. 28 May – 3 July 2004.
founded in 1998 and based on whadjuk noongar boodjar [perth, western australia], pvi collective are a tactical media art group who create, playfully subversive artworks intent on the creative disruption of everyday life.
intervention, socially-engaged, politics, activism, participation, Australia, Perth, media art