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A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
A short documentary made during a climate change summit, COP15, which took place in Copenhagen in December 2009.
This video was part of LADA Screens, and was available online from 30 November 2015 to 13 December 2015.
HD Video, 37 minutes.
A notebook; part of the final 14-18 NOW project which asked young people to respond to the question ‘What does peace mean to you?’.
Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).
MA Performance Thesis, 2016.
A newspaper publication for the programme of activity taking place in London, Venice, Margate and Folkstone, bringing together artists, curators and cultural contributions from around the world.
Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.
A small selection of study room material on the subject of documention.
This publication explores the current economic infrastructure supporting visual arts in the UK and its impact on individual artists and their capacity to make art.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
The work of Sonia Boyce encourages and challenges us to ask what it means to be a black woman artist in a hierarchical art world, and to confront questions surrounding inter-racial relations in a society where cultural identities condense around myths of nationhood.
Commissioned by the Live Art Development Agency this collection of videos collated into a DVD represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks. DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes – see D1050. Accompanying essay/booklet by David A Bailey , 14 pages, 14cm x 19cm – see P1081.