A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
A tribute to Katherine Araniello, read during the event at LADA, 16th April 2019.
Part of the Library of Performing Rights (P3041)
In misc folder 7.
A collection of programmes, materials and articles on the Pip Simmons’ performance.
A new publication celebrating the various communities of barbershops across East London. Comissioned by CUT Festival: The Art of Barbering.
A publication detailing the projects delivered through Unlimited; includes a collection of 16 postcards.
On Monday 28 May 2012, Noëmi Lakmaier undertook a slow and exhausting test of endurance – an attempt to crawl from Toynbee Studios towards ‘The Gherkin’.
Film: Hydar Dewachi. 14:39
Documentation from the event about ethics, funding and art that took place at Toynbee Studios, London, on January 29, 2015. 5 minutes.
Documentation from the event about ethics, funding and art that took place at Toynbee Studios, London, on January 29, 2015. 40 minutes.
Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.
This text is a limited edition print and comprises three conversing parts: The Quiddity Grid, an introduction or home for potential readings; 24 Object Recalls, a series of illustrated micro-chapters; and The Afterword That Lives Outside The Cave, a narrative written at the beginning of the process, but one in fact that might better suggest an ending. Printed text in folder.
Archive from the professional development programmes by artists for artists.
Portfolio 2011/2012, featuring all artists’ projects currently available and in development: performance spaces, film and installation, outdoor spaces, unusual spaces, artist and professional development, other projects and commissions.
Advice and information service for artists and arts professionals living and working in London.
A set of essays on Live Art exploring the learning possibilities and partnership opportunities for artists and schools.
Includes full length documentation of the performance the moment I saw you I knew I could love you; the film Sea Swallow’d by Curious and Andrew K̦tting; interviews on ‘Autobiology’ workshops – in which Curious worked with 56 artists across the UK using ‘gut feelings’ to generate text, performance, video and installation work and a special bonus track on the creative process in making the performance and film.
Performance Matters; Performing Idea – Other Durations5th October3:00-7:30pmToynbee StudiosWith: Janine Antoni, Matthew Goulish, Bojana Kunst, Boyan Manchev, Fred Moten and Lara ShalsonTime in Western Cultures continues to accelerate and a slower unregulated life is seemingly nowhere to be found. Contemporary art has seen a resurgence of performances of long and short durations and a re-valuation of historical works of duration. Artists are increasingly playing with, inhabiting and transforming the time of the artwork. Speakers will address questions of how we can now think of the time of performance? What are the relations between performance, time and cultural value? How is performance reconfiguring and othering our understandings and experiences of time?
Performance Matters 5th October 8.30pm.Musical Pieces / I Wanna Be in That ShowAugusto Corrieri and Owen ParryToynbee Studios.Part of an ongoing investigation into solo performance, Musical Pieces explores the deceptive qualities of perception and attention offered by the theatre, playing with different forms of on-stage concealment and trickery.I Wanna Be in that Show is a performance about wanting to be in a performance. It draws on the feeling of seeing a performance and recognising one’s own desire to be in it or to have created it. It’s about art that drives you to make more art, to revel in its forms and textures and to question the bodies that occupy it.
Launching her unique new Therapy Empire, Baker offers a set of life-changing techniques in a show guaranteed to effect results in ordered and disordered minds alike.
DVD by Deborah May. This item is part of the Study Room Guide On Disability and New Artistic Models by Rachel Aaron Williamson (P1529)
Part of the Library of Performing Rights (LPR).
Inspired by the myth of Pandora, this performance is an exploration of misfortune and accountability.
Part of the Library of Performing Rights (LPR) (P3041).
Summary of the LADA programme in which artists working in Live Art conceive and run professional development projects for other artists.