Taking her starting point in sources such as the letters of Kierkegaard, Saxo's chronicles of Danish history, and the observations of Tycho Brahe, Abramović has created an immersive total installation that includes a range of rituals, an audio system and specially designed shelves for people.
The Royal Danish Library, Copenhagen, 21 June 2017 – 21 March 2020.
Publication accompanying the eponymous exhibition at the Transition Gallery, 16 June-15 July 2007; with texts by a number of writers including Iain Sinclair, Charlie Porter and Ruth Jarvis.
created during the residence at Camden Arts Centre, 31st August – 6th September 2006.
Video documentation of an interactive sound installation containing the oral histories of 10 ordinary people who have been buried in Syrian gardens.
Video recordings of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.
Helen Cole, artistic director and chief executive of London’s In Between Time Festival, talks about the distinct curatorial strategies required for visual art and performance.
Delivers an important overview of the artist’s pursuit of the hidden secrets and spectral enigmas found within the everyday.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
Programme notes from Tate Tanks 18 July – 28 October.
A Girl Skipping was devised and premiered in 1990.
Investigation into collective and collaborative creative practice of marginalised artists of the art world. Reverend Billy Talent and the political economy of the art world. This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
The Muu For Ears consists of 8 CDs, no. 7 is missing from the Live Art Development Agency Collection. Muu For Ears is a series of sound art publications, these CDs are part of Muu’s audio autographs project featuring international sound art events, workshops, publications, artists talks and lectures.
A 72 hour live audio performance for internet users.
HALF LIFE was a major landscape work and the first co-production between The National Theatre of Scotland and NVA. This item is part of the Study Room Guide to Remoteness (P2600).