Taking her starting point in sources such as the letters of Kierkegaard, Saxo's chronicles of Danish history, and the observations of Tycho Brahe, Abramović has created an immersive total installation that includes a range of rituals, an audio system and specially designed shelves for people.
The Royal Danish Library, Copenhagen, 21 June 2017 – 21 March 2020.
Publication accompanying the eponymous exhibition at the Transition Gallery, 16 June-15 July 2007; with texts by a number of writers including Iain Sinclair, Charlie Porter and Ruth Jarvis.
created during the residence at Camden Arts Centre, 31st August – 6th September 2006.
Video documentation of an interactive sound installation containing the oral histories of 10 ordinary people who have been buried in Syrian gardens.
Video recordings of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.
This DVD catalogues a collection of the artist's viseo works from 1999 to 2009. Includes a transcrip of the artist in conversation with Brandon LaBelle.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
A Girl Skipping was devised and premiered in 1990.
HALF LIFE was a major landscape work and the first co-production between The National Theatre of Scotland and NVA. This item is part of the Study Room Guide to Remoteness (P2600).