Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.
Exhibition catalogue; comprises essays and a section containing documents, hitherto unpublished interviews and a gallery discussion. Exhibition: 27 January – 1 May 2017, Museum Tinguely, Basel.
Publication on the group exhibition exploring current international developments in socially engaged art practices. CAA, 28 January – 12 March 2017.
A portrait of the artist and musician Z'EV, known for his punk era scrap metal music – how his music changed and grew and how his personal journey led him to the margins of art and the depths of heart.
An overview of five decades of the artist’s oeuvre. The publication coincides with his eponymously titled survey exhibition, which opened at Perth Institute of Contemporary Arts in August 2015 and before touring throughout Australia.
This book explores the relationship between place and forms of thought and creative activity, relating Outlandia, an off-grid artists’ fieldstation, and the artists there, to the tradition of generative thinking and making structures that have included Goethe’s Gartenhaus in Weimar, Henry Thoreau's cabin at Walden Pond and Dylan Thomas’s writing shack in Laugharne.
An indepth analysis of the work of three significant African diaspora artists – David Hammons, Maria Magdalena Campos-Pons and Pamela Z – with essays examining site specific installations and peformances concieved by these artists for Dak'Art 2004, the Biennale of Contemporary African Art
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
ITSOFOMO was premiered at the Kitchen in New York in December 1989. It was also performed at the Center of Contemporary Art in Seattle, the San Francisco Art Institute, Hallwalls in Buffalo, NY, the Walker Art Center in Minneapolis and Exit Art in NYC.
Collection of images, texts and various documents of the artist’s work between 2007 and 2009.
Documentation of the practice by the Rio de Janeiro-based group.
NOTE: Text is in Korean and English (publication acquired from Korea Performance Art Festival)
The Muu For Ears consists of 8 CDs, no. 7 is missing from the Live Art Development Agency Collection. Muu For Ears is a series of sound art publications, these CDs are part of Muu’s audio autographs project featuring international sound art events, workshops, publications, artists talks and lectures.
The Muu For Ears consists of 8 CDs, no. 7 is missing from the Live Art Development Agency Collection. Muu For Ears is a series of sound art publications, these CDs are part of Muu’s audio autographs project featuring international sound art events, workshops, publications, artists talks and lectures.
The Muu For Ears consists of 8 CDs, no. 7 is missing from the Live Art Development Agency Collection. Muu For Ears is a series of sound art publications, these CDs are part of Muu’s audio autographs project featuring international sound art events, workshops, publications, artists talks and lectures.
The Muu For Ears consists of 8 CDs, no. 7 is missing from the Live Art Development Agency Collection. Muu For Ears is a series of sound art publications, these CDs are part of Muu’s audio autographs project featuring international sound art events, workshops, publications, artists talks and lectures.
The Muu For Ears consists of 8 CDs, no. 7 is missing from the Live Art Development Agency Collection. Muu For Ears is a series of sound art publications, these CDs are part of Muu’s audio autographs project featuring international sound art events, workshops, publications, artists talks and lectures.
The Muu For Ears consists of 8 CDs, no. 7 is missing from the Live Art Development Agency Collection. Muu For Ears is a series of sound art publications, these CDs are part of Muu’s audio autographs project featuring international sound art events, workshops, publications, artists talks and lectures.
A Spanglish music drive-by that rifles on media as religion. 10 tracks.
Features responses by members of the general public to 12 illustrated projects carried out by Industry of the Ordinary. Accompanying publication, REF. P1199
Responses by members of the general public to 12 illustrated projects carried out by Industry of the Ordinary. Accompanyed by DVD, REF. D1127
This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
Published on the occasion of Hayley Newman's exhibition The Daily Hayley at Matt's Gallery, London 15-30 September 2001. Includes an essay by Aaron Williamson and a self interview with Newman by Newman. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195), the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Publication to coincide with Caroline Bergvall exhibition, Southampton, 2010 – includes DVD