LADA screening programme for In Pursuit of Pain, a Wellcome Collection Friday Late Spectacular.
Bob Flanagan: Cystic Fibrosis Song (1977)
Cassils: Inextinguishable Fire (2015)
Wafaa Bilal: Shoot an Iraqi (2007)
Oleg Kulik: Dog House
Orlan: Succesful Operation (1990)
Marina Abramovic: On Rhythm 0 (2013)
Ron Athey: Ron’s Story (2001)
Rocio Boliver: Times Go By and I Can’t Forget You
Performance Film Installation is a new publication designed to mark five years of solo and collaborative performances, films and installations by Natasha Davis, and coinciding with the London premiere of Internal Terrains at Chelsea Theatre as part of Sacred. A diverse range of authors and artists have generously responded to an invitation to provide insights into various aspects of Natasha's practice.
This publication brings together four ways of looking at Glorious (Shah's project, started in 2009 which was rebuilt in each new place that was visited, together with some of the people met during that time), and includes: a short film made in response to six performances of the show; a music video shot in and around Lancaster and Morecambe; a critical overview of the process behind two iterations of the project; and The Glorious Storybook, a collection of essays and images from throughout the process.
Part of the Library of Performing Rights (LPR) (P3041).
Reflects the ways in which the practices of artists who work with Live Art have engaged with, represented, and problematised issues of disability in innovative and radical ways, and the ways in which Live Art has been, and continues to be, a potent platform for artists to explore notions of physicality, identity and representation.
a leaflet to accompany the performance as part of SPILL 09, includes essay by Adelaide Bannerman. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Festival documentation. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Talking about it: the development of new contexts, new languages, and new cultural frameworks?
What kind of models exist, or might exist, that can respond to the kind of touring work that changes and evolves as it moves from location to location, context to context, and constituency to constituency. Creating equitable and reciprocal dialogues, networks and resources amongst artists and producers, and exploring the responsibilities of artists and producers to the contexts they are working within.
The ideas and experiences this kind of work can offer and the kinds of audiences can it offer them to.
The significance and cultural value of experimental theatre and performance practices, their relation to other disciplines and potential to affect cultural change.
The range of lineages and ideas which inform and shape contemporary radical theatre and performance making.
Shelved in Miscellaneous Journals section.