A newspaper publication for the programme of activity taking place in London, Venice, Margate and Folkstone, bringing together artists, curators and cultural contributions from around the world.
The book examines three distinct strands of photographic practice – the documentation of performance works, how performers and photographers have worked collaboratively, and the work of photographers who have a strong performative element to their practice – as well as the construction of self-identity and playful, innovative approaches to portraiture.
On the occasion of the eponymous exhibition, February-June 2016, Tate Modern.
The book explores the textual work of Art & Language, Victor Burgin and others; the New Sculpture being produced by those such as Richard Long and Michael Craig-Martin; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.
On the occasion of the eponymous exhibition, April-August 2016.
Exhibition catalogue. Original exhibition: Graz, Künstlerhaus, October – November 1976. Further exhibitions: Innsbruck, Vienna, Bochum. In English and German.
Book published to accompany the 2004 exhibition of the same name
Artists included: Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alighiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino de Dominicis, Ger van Elk, Barry Flanagan, Hamish Fulton, Gilbert and George, Michael Heizer, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Ruckriem, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Keith Sonnier, Franz Erhard, Walther, Lawrence Weiner, Gilberto Zorio
The first extensive survey of walking in contemporary art. This item is part of the Study Room Guide to Remoteness (P2600).
As a result of Arnatt’s participation in the 1991 Bienal de São Paulo, Visual Arts mounted a new touring exhibition of colour photographs by this senior British artist.
Nearly thirty years after the first edition, this text–by now a classic–is republished with all the original photographic material.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)