A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
A short documentary made during a climate change summit, COP15, which took place in Copenhagen in December 2009.
This video was part of LADA Screens, and was available online from 30 November 2015 to 13 December 2015.
HD Video, 37 minutes.
Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).
MA Performance Thesis, 2016.
A newspaper publication for the programme of activity taking place in London, Venice, Margate and Folkstone, bringing together artists, curators and cultural contributions from around the world.
A small selection of study room material on the subject of documention.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
Shit, piss, blood, sweat and tears is a new Study Room Guide compiled by Lois Keidan on the theme of bodily functions in performance. The Guide consists of notes from Lois Keidan's presentation for Blackmarket No 11 2008, with added images and recommendations for further research and study
Primarily concerned with the feminist body as a site for making and exhibiting works, this book examines themes that look at the body as material, the body and performance, as well as the alternative creative platforms in 1970s feminist art. Drawing on original material – never-before-seen images from artists' personal collections and commissioned interviews with prominent artists from the period – the book is an invaluable resource for artists, researchers, curators and students interested in recovering this period from the margins of art history.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Publication accompanying the homonymous symposium: a collaboration between Plymouth Arts Centre and artist Marina Abramovic to produce a performance event that explored the history and future of the artist’s work. Newspaper-style publication in large folder.
Catalogue for New Contemporaries exhibition.
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
For the Liverpool Biennial 2006, Bluecoat Arts Centre present Liverpool Live 06 – A Festival of Urban Apparition, 26-29 October 2006, Liverpool City Centre. Four day series of interventions, occurrences and happenings that punctuate the shifting landscape of the city centre. All video files are in VTS format – VLC compliant. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Catalogue for the series of exhibitions, performances and screenings that maps the activity of international artists whose practice involves the use of sound as a medium.
Shelved in Oversize publications section.
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793)
Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
DVD includes; documentation of performances, artists’ biographies, artists’ interviews, introductory texts. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)