An important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.

Part of Library of Performing Rights (P3041).

Reveals a tradition of queer environmentalism in contemporary literature and film from the Americas. 

Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.

Part of the Library of Performing Rights (P3041)

A sweeping account of the way lesbian, gay, and bisexual people have challenged and changed society.

Cards on the artist's Sissy trilogy, with quotes by Lois Keidan, Stephen Farrier, Catherine Silversone.

Examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.

Published in conjunction with a major retrospective of the artist’s work at the New Museum of Contemporary Art, New York, January – April 1999. Includes excerpts from Wojnarowicz’s writings and essays by Dan Cameron, Mysoon Rizk, C. Carr and John Carlin.

A collection on the media and public perception and representations of AIDS. Includes essays, a portfolio of manifestos, articles, letters, and photographs from the publications of the PWA Coalition, an interview with three members of the AIDS discrimination unit of the New York City Commission on Human Rights and presentations for the independent video documentaries on AIDS, Testing the Limits and Bright Eyes.

This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.

A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.

Documentation of a performance-installation inspired by the artist’s experience of being attacked in East London.

An interview with American artist Sharon Hayes