In order to become ethically acceptable, surrogacy must change beyond recognition—but we need more surrogacy, not less!
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
Explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or “globalization.”