Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
Exhibition catalogue; 19-27 October 1991, le Fresnoy, France.
Documentation from the event which invites participants to talk openly about ideas of ‘social responsibility’ in regards to collaborative making and to collectively question the role of contemporary artists within opposing cultures of resilience, resistance and regeneration.
Documentation of a public art project on the Greenwich Peninsula, created by artist Kerry Morrison in collaboration with local residents, schoolchildren and their families, as part of Stream’s Peninsula programme of commissions.
Interviews, maps, drawings, plans, archives, photos, histories from Hackney Wick
William Titley kept an online blog of activities as Lead Artist in residence for Pendle Borough Council 2008-2011 with the of engaging the community in aspects of a regeneration process for the town. This book presents the blog, and documents and discussions of events.
The Mayor’s Cultural Strategy addresses concerns facing the sector at a time of considerable economic uncertainty and rapid change, particularly with regards to government policy and investment, and considers how within this context it can maximise opportunities for the cultural life of London to flourish.
This is a textbook for exploring the peripheral, acknowledging marginal acts as well as marginal places. There is no definitive way of defining what is marginal. This item is part of the Study Room Guide to Remoteness (P2600).
As the Creative City model for urban regeneration founders on the rocks of the recession, and the New Labour public art commissioning frenzy it triggered recedes, the authors take stock of an era of highly instrumentalised public art making.
Contaminate the city was a workshop formulated to explore site-specific and participatory performance practice.