Interview with Jacques Rancière.
Unmaking American dance by tradition.
On Das Stück mit dem Schiff and Amor constante mas alla de la muerte.
Rekindles the debate about 'victim art' through an analysis on Arlene Croce's essay 'Discussing the Undiscussible'.
Review.
On the role and necessity of dance writers.
On Wyoming and White Man Sleeps.
An assessment of experimental work in the early years of Dance Umbrella (1978-1983).
Discusses problems of being both a dance critic and a performer.
Art funding post 1992 elections.