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Kira O’Reilly: Untitled (Bodies) review

Artist/Author: Johanna Linsley | Type: Article

Review of the book published by LADA.

Landscapes: John Berger on Art

Artist/Author: John Berger | Editor: Tom Overton | Reference: P3734 | ISBN: 978-1784785857 | Type: Publication

In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.

Portraits: John Berger on Artists

Artist/Author: John Berger | Editor: Tom Overton | Reference: P3735 | ISBN: 978-1784781798 | Type: Publication

One of the world s most celebrated art writers, takes us through centuries of drawing and painting, revealing his lifelong fascination with a diverse cast of artists.

The Exform

Artist/Author: Nicolas Bourriaud | Reference: P3729 | ISBN: 9781784783808 | Type: Publication

Tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform.

Site-Seeing in London: Observing Edge 88

Artist/Author: Linda Frye Burnham | Reference: A0839 | Type: Article

On the Edge 88 festival in September 1988.

In misc. folder 7.

Performance Histories from East Asia 1960s–90s: An IAPA Reader

Editor: Victor Wang | Reference: P3678 | Type: Publication

Brings together a variety of essays, photographs and archival materials and on the history of early performance art in East Asia. The publication will include texts by  An invaluable new research tool, the publication is available free at events and online.

Part of the Library of Performing Rights (P3041).

Straight Sex: Rethinking the Politics of Pleasure

Artist/Author: Lynne Segal | Reference: P3635 | ISBN: 9781781687567 | Type: Publication

Examines an array of issues, including sex as a subversive activity, the “liberated orgasm,” sex advice literature, gender uncertainties, queer politics, anti-pornography campaigns and the rise of the moral right.

Everything Seemed Possible: Art in the 1970s

Artist/Author: Richard Cork | Reference: P3665 | ISBN: 978-0300095081 | Type: Publication

A selection of articles from the seventies, eighties, nineties, and the year 2000. The result is a fascinating chronicle and invaluable record of a turbulent period that gives an overview and survey of British art and its reception over the past thirty years which is wholly unprecedented in its scope.