An illustrated study of the “zoom film,” which has become a touchstone for art and film studies.
Recounts the group’s evolution and different approaches to collaboration throughout the years. Two DVDs include a documentary, interviews with BMI members, and performance footage.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Draws on the theory and practice of the black radical tradition to support, inspire and extend contemporary social and political thought and aesthetic critique.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Drawing together communiques, covert interviews and underground histories of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people.
Seeking to overthrow all constraints on what can be done with and to the body, Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).