Catalogue > By Keyword > audience
324 results | Page 17 of 33
My Nana’s Wedding (Gown) Part One
Stills from the performance, which comprised of over 300 images and took place in 2 parts; part one is performed in a photography studio, with the photographer the only spectator.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Theatre and Social Media
Lonergan argues that social media is itself a performance space, analysing how it's used by both theatres and audiences and also in connection with each other.
Theatre and Interculturalism
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?
Anna Birch archive
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Hotel Obscura programme
Vienna and Linz festival of one-to-one performances, interventions and experimental theatre, taking place inside two city hotels.
VERBO 2005-2015
An overview of the first 10 years of the VERBO festival, featuring texts by Brazilian and foreign authors.
In Portuguese and English; some text in Spanish.
Gardens Speak
Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves would have recounted it.
This book contains the narrative text of those ten oral histories in both English and spoken Arabic, as well as an an introduction by the artist, and illustrations of the audience experience in Gardens Speak.
Performing Animality: Animals in Performance Practice
Theoretical and creative interventions into the presence of the animal and ideas of animality in performance.
Agora Collective documentation
Includes:
Model Behaviours publication (AFFECT module I); in English; 2014
Mit freundlichen Gruessen exhibition catalogue; in German; 2013
promotional postcards; in English; 2014
Performance
In this invitation to reflect on the power of performance, Diana Taylor explores many of the ‘performance’ uses and iterations: artistic, economic, sexual, political, and technological performance; the performance of everyday life; and the gendered, sexed, and racialized performance of bodies. Images and texts interact to show how performance is at once a creative act, a means to comprehend power, a method of transmitting memory and identity, and a way of understanding the world.
