Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
Dissection of the “new racism,” from one of the greatest radical black intellectuals of our time.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Drawing on more than ten years of ethnographic research in and around New York City, the book offers a kaleidoscope of subjects and stories that address how race is negotiated in today’s world-including tales of book-vending numerologists, urban conspiracy theorists, corrupt police officers, mixed-race neo-Nazis, and gospel choirs forbidden to catch the Holy Ghost.
Part of the Library of Performing Rights (LPR) (P3041).
Reading wesistive choreographies through works by Jawole Willa Jo Zollar and Chandralekha.
Part of the Library of Performing Rights (LPR) (P3041).
Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
From the age of Aristotle to the age of AIDS, writers, thinkers, performers and activists have wresteled with what “performance” is all about. At the same moment, “performativity”–a new concept in language theory–has become a ubiquitous term in literary studies. This volume grapples with the nature of these two key terms whose traces can be found everywhere: in the theatre, in the streets, in philosophy, in questions of race and gender, and in the sentences we speak.
This publication is comprised of photos taken at balls events in New York, Philadelphia, and Washington, D.C., is a collaboration between Gaskin, and the house members who let him enter the intimate world of ball culture. In addition to an introduction by Deborah Willis, Legendary includes an essay by Frank Roberts, “The Hidden Histories of House Ball Culture.”
A publication chronicling the development of the AGIA (The African Grove Institute for the Arts) Movement spearheaded by noted playwright August Wilson.
Last book of Geography trilogy (including Geography and Tree), three books connected thematically by racial identity and the related dance projects choreographed by Lemon. Illustrated with family photos, original art, and photos of the performance.
A 1967 documentary film directed, produced and edited by Shirley Clarke and starring Jason Holliday, a gay, African-American hustler and aspiring cabaret performer. Black and White film. This item can be found in the locked glass cabinet.
This volume offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions.
Examines the integrative and interdisciplinary strategies of five contemporary artists stressing the ways in which their work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.
An interview with Blondell Cummings.