A lecture performance.
| Artist / Author | Raimund Hoghe |
|---|---|
| Reference | D1551 |
| Date | 2000 |
| Type | DVD |
A five-minute performance piece mixing movement and lipsynching.
Directed by Sam Williams.
6'15''
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
1:41
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
For over 20 years Marina Abramović has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.
This journal can be found in ‘Miscellaneous’.
First English language publication dedicated to Raimund Hoghe, operating as a collage,drawing together a variety of international voices to create a fragmented portrait of the artist
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Specially invited respondents working across the creative and critical field of performance (Nicola Cinibere, La JohnJoseph, Eirini Kartsaki, Harun Morrison, Joe Kelleher) gather to reflect upon the works experienced over the two days. Following, an informal conversation between the projects co-directors (Gavin Butt, Lois Keidan, Adrian Heathfield) looking back at the three-year project, its insights and paradoxes, and looking forward to the future of performance.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Set in an ideal world where the labour of performance can take time and place, can be witness and witnessed, can live and let live, uneventful is a series of compositional vignettes that exist as enduring acts of love and labour ‘in the making.’
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. For each audience member receives a personal letter that continues a conversation that has been taking place via email between the artis and a series of contributors regarding understandings and practices of the potentials of performance. These exchanges come in contact with each other in the performance of a common reading in space and time of writings that exhaust the question: ‘What are the potentials of performance?’ You Have One Unread Letter: the list continues also exists in the space as an installation scroll.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Of Things in Motion and Things at Rest sets thoughts and actions in motion on the stage in a path towards a speculative performance encounter with the realm of the nonhuman and the secret lives held within it. Through sonic exploration of mundane objects, we aim to highlight how existent ideas of performative agency can be re-applied and re-thought with and through objects.