This book of texts and creative exercises is for artists, students, researchers, archivists and policy makers.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Alienating The Archive dramatises the archive through a Brechtian “making strange” of the material relations to documents and the systems of preservation.
Performance Research Journal edition concerning failure. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249).
How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in?
In (W)reading Performance Writing writer and Co-Director of Open Dialogues Rachel Lois Clapham has assembled twenty practitioners from diverse fields of poetry, theatre, visual art and performance on the topic of Performance Writing. This unique guide comprises of syllabuses, manifestos, scores, personal testimonies and practical exercises, many drawn from resources available in the Live Art Development Agency study room.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
A partnership between Queen Mary and LADA that aims to respond to the artistic and professional development needs of emerging artists. Saturday 24 May 2008. Video documentation, part 3 of 4. For part 1/2/4/ see REF. D1079/D1080/D1082.
A Study Room Guide on eating and dining as explored in performance
Oreet Ashery, Larissa Sansour Ashery, Paul Wolf, Melissa Wolf