Exhibition catalogue. Wellcome Collection, 30 May 2019 – 26 January 2020.
Part of Library of Performing Rights (P3041).
A genuine, humorous, and powerful reflection on love, life, death, and “fighting sickness with sickness.” Edited and compiled by Sheree Rose and Rhiannon Aarons.
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
Trailer film for Restock, Rethink, Reflect Two – Live Art and Disability. 2:07
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
Review of Vason's book, published by the Live Art Development Agency and Intellect Books.
This book of texts and creative exercises is for artists, students, researchers, archivists and policy makers.
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
Catalogue for the festival exploring the physical, mental and social challenges of life and death and how we survive them.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
A collection of artists’ writings, performance documentation and films reflecting the ways in which artists, who work with Live Art, are engaging with issues of disability.
Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Digital Reference refers to folder containing 32 movies. British Library recording (see also footage by Manuel Vason, EF5041).
Documentation from the partnership between Queen Mary, University of London and the Live Art Development Agency offering a number of support structures for graduates and young artists working with Live Art and based in London.
Edited collection on performance practice and analysis that engages with medical and biomedical sciences.
Small selection of work concerning Audiences and Pain: audiences inflicting or being complicit in artists’ pain, audiences bearing witness to painful or unbearable actions and ideas, or audiences being subjected to pain and discomfort themselves.
Shelved in Miscellaneous Journals section.