Catalogue > By Keyword > performance lecture

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ABOUT

Author: Ann-Christin Kongsness, Solveig Styve Holte | Reference: P4055 | ISBN: 978-82-93506-01-0

Publication made as part of a choreographic work investigating the relationship between theoretical, aesthetic and performing aspects of an artistic work. Includes two essays: ÆØÅ and Pointing back.

The Pennine Way: The Legs That Made Us

Reference: P2973 | ISBN: 9780954907310

In the summer of 2006, the two artists travelled across the Pennine Way creating a choreographic pathway – a shared journey and celebration of walking as dance and dancer as traveller.

Timepiece

Author: Kevin Atherton | Reference: P2719

Copy of a manuscript taken from a 2010 PhD in the Department of Visual Culture at the National College of Art and Design in Dublin.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Walking Failure; What Tammy Found Out … About Being Femme

Author: Nando Messias; Lois Weaver | Digital Reference: EF5132

Video recordings of two performances presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics.  From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.

Marina Abramovic: Live Culture Talk

Author: Marina Abramovic | Digital Reference: EF5098

For over 20 years Marina Abramovic has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Performance Matters – Potentials of Performance – Séances of Presences

Author: Mariella Greil with Emily Sweeney | Reference: D2027

British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Séances of Presences is a performance lecture and moving dialogue that tests the potentials of all involved – on and off stage. Mariella Greil and Emily Sweeney dance, talk and write about immanent potentials of relationality, choreographic practice and performance.

PREGNANT?!

Author: Mamoru Iriguchi | Digital Reference: EF5025

Spill National Platform 2009

Performance Lecture

Author: Sinead O'Donnell and Lisa Marie Johnson | Reference: D1748

Sinead O’Donnell and Lisa Marie Johnson: “Performance Lecture” 2010. In conjunction with ‘Exile from Presence’ w/ John Zerzan. National College of Art and Design. Dublin, Ireland.

Live Culture Lecture series: Performing Body

Author: Marina Abramovic | Reference: D1532

For over 20 years Marina Abramovic has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Throwing the Body into the Fight

Author: Raimund Hoghe | Reference: D1535

With post-show discussion.“Pier Paolo Pasolini wrote of throwing the body into the fight. These words inspired me to go on stage. Other inspirations are the reality around me, the time in which I live, my memories of history, people, images, feelings and the power and beauty of music and the confrontation with one’s own body which, in my case, does not correspond with conventional ideals of beauty. To see bodies on stage that do not comply with the norm is important – not only with regard to history but also with regard to present developments, which are leading humans to the status of design objects. On the question of success: it is important to be able to work and to go your own way – with or without success. I simply do what I have to do.“www.raimundhoghe.comThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Walk With Me, Walk With Me, Will Somebody Please Walk With Me

Author: Lone Twin | Reference: D1330 | Digital Reference: ED1330

This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is referenced in the Making Routes Study Room Guide (P1964) and the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

Antarctica

Author: Chris Dobrowlski | Reference: D1519

Chelsea programme notes:At Art College Chris Dobrowolski discovered that art could theoretically be anything. He made a boat from driftwood and tried to escape…he failed. This led to a series of vehicles from recycled materials all with a deliberate “knocked up in my garden shed” feel about them.In his continuing attempt to escape the art world he has been to the Antarctic with the British Antarctic Survey. His performance lecture will concentrate on his efforts to relate to this blank canvas and his attempt to justify his existence there, whilst everyone around him tries to save the planet.

This Is Performance Art: Performed Sculpture and Dance

Author: Mel Brimfield | Reference: D1485

Also see P1517 and P1518This Is Performance Art: Performed Sculpture and Dance8th April 2010 – 06 June 2010Camden Arts Centre, co-commissioned by the Yorkshire Sculpture ParkAlso presented as part of Performance Matters: Performing IdeaPerformance Lecture Archive at Whitechapel GalleryMel Brimfield’s residency, This is Performance Art, will be a historical reappraisal of performance art of the 20th Century. Through a series of discussions, documentary research, re-enactments and live performance she will undertake an examination of what can be said to constitute the ontology of ‘live art’ within current discourse. This research will form the basis for a documentary film, the first in a series, charting the new narrative through the fragmented and often unreliable documentary record of this elusive art form. The final film will be screened in the Artists’ Studio at Camden Arts Centre at the culmination of the residency along side a series of live performances and re-enactments. Mel Brimfield’s complex practice takes a skewed and tangled romp through the already vexed historiography of performance art, simultaneously revealing and inventing a rich history of collaboration between artists, dancers, theatre makers, political activists and comedians. Meticulously drawn and painted posters and programmes for fictional interdisciplinary cabarets, together with costumes and props, are produced alongside documentary-style films and live works that playfully associate performance art with most significant cultural developments of the last 100 years.Following the residency, the next phase of This is Performance Art will be shown at Yorkshire Sculpture Park in 2011.The final performance will take place three times on 02 JuneThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Performing Idea: The Inhabitants of Images

Author: Rabih Mroue | Reference: D2104

The Inhabitants of ImagesRabih Mroue9th October 8.30pm Toynbee StudiosRabih Mroue will present his new video-lecture: The Inhabitants of Images (2009), a playful complex analysis of the use and misuse of images for political and ideological purposes in Lebanon and the Middle East, coproduction between Tanzquartier-Wien, Bidoun Magazine and Ashkal Alwan/Beirut.

Performing Idea: The Angola Project 2

Author: Cabula6, Jeremy Xido | Reference: D2104

Angola Project IICabula 6/Jeremy Xido8th October 8:30pmToynbee StudiosBased on Jeremy Xido’s true life adventures of trying to make a feature film in Angola, the ANGOLA PROJECT takes us on a dizzying journey through the history of colonial Portugal, the Travelogues of Burton Holmes, the films of Bruce Lee and Jim Kelly, the Detroit race riots/rebellion, Berlin documentary film crews in Africa and the blood-thirsty mechanisms of international film finance.

Live Culture Symposium: Performance and the Contemporary

Author: Guillermo Gomez Pena | Reference: D1482

Lecture given by Guillermo Gomez Pena from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Live Culture Symposium: Performance and the Contemporary

Author: Ricardo Dominguez | Reference: D1484

Lecture given by Ricardo Dominguez from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.

Live Culture Symposium: Performance and the Contemporary

Author: William Pope.L | Reference: D1483

Lecture given by William Pope.L from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Lecture in a Stair Shape Diminishing: 366 Sentences for Vienna

Author: Goat Island | Reference: D1462

DVD – AUDIO ONLYThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

To The Shelter

Author: Marcia Farquhar | Reference: D1460

Dead Season Live Art, 2010, Margate, Limbo Arts.See P1496 for full Dead Season Live Art programme.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

The Last Performance (A Lecture)

Author: Jerome Bel | Reference: D1456

“Invited at the same time by the Hebbel Theatre in Berlin, the Tanz-Quartier in Vienna and the Centre National de la Danse in Paris to perform The Last Performance (D0624) I decided, instead of presenting the piece, to make a lecture about its issues. I had the feeling that this difficult piece had not been really understood. Maybe the piece was bad. But I believe that the issues of this piece were relevant, which is why I would like to change my medium and to use the tool of the lecture to try to articulate better the stakes of The Last Performance. I will re-contextualise the piece in its theoretical level through the texts of Roland Barthes and Peggy Phelan and in my artistic situation at that time.”Jérôme Bel www.jeromebel.fr This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

This Filthy World

Author: John Waters, Jeff Garlin | Reference: D1457

This documentation has since been presented with the permission of Revelation Films as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

A Video Lecture about Three Posters

Author: Rabih Mroue | Reference: D0473

Certain Fragments

Author: Tim Etchells | Reference: P0135

This item is referenced in the Making Routes Study Room Guide (P1964), the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide: you may perform a spell against madness by Lone Twin (P0755)

Throwing the Body into the Fight

Author: Raimund Hoghe | Reference: V0572 | Digital Reference: EV0572

With post-show discussion. Part of Access All Areas Screening Programme. Also available with subtitles as EV0572SUB.“Pier Paolo Pasolini wrote of throwing the body into the fight. These words inspired me to go on stage. Other inspirations are the reality around me, the time in which I live, my memories of history, people, images, feelings and the power and beauty of music and the confrontation with one's own body which, in my case, does not correspond with conventional ideals of beauty. To see bodies on stage that do not comply with the norm is important – not only with regard to history but also with regard to present developments, which are leading humans to the status of design objects. On the question of success: it is important to be able to work and to go your own way – with or without success. I simply do what I have to do.“www.raimundhoghe.comThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)

A Decade of Forced Entertainment

Author: Forced Entertainment | Reference: V0071 | Digital Reference: EV0071

Includes introduction by Lois Keidan and other plus a post-show discussion largely centered on Arts Council funding and assessment in particular reference to FE’s funding ACE funding cut in 1995.